Tame the wild notes. Your weapon is the jam you write.

A bullet heaven where the enemies are wild music notes and your weapon is the jam you write. Every level-up hands you one note. Put it on the bar: it plays as music and fires as an attack, forever. By the last wave your beat is taming everything - and it goes on your shelf.

• One level. One note. Layers arrive as a single note and every level-up buys exactly one more. Nothing is handed to you finished - the wall of sound is assembled one note at a time, and by the late waves it is taming everything on screen.
• A real sequencer, live, mid-fight One bar. Sixteen steps. A playhead sweeping it at tempo, firing every note it touches. Spacing is the constraint: a kick wants two steps of room, a crash cymbal wants eight. You cannot machine-gun a layer - you have to arrange.
• Arranged like a song, not a loop An arranger plays your bar the way a producer would: a fill from your own kit every fourth bar, a soft crash at the top of a phrase, and when a boss walks on, a riser, one held breath, and the drop.
• The Booth Composing mode. Pick your kit, set the chords, the key, the tempo and the swing, then PLAY IT - the game performs your track as an actual run, and the beat stays in your career.
• A career built in acts 7 ranks from STUDENT to LEGEND, 7 stages from the PRACTICE ROOM to the WORLD STAGE. Book your own nights off a weekly sheet, read the risk against the money, and climb.
• Unlock Avatars 12 pieces of backline to walk on stage as. A few are yours the day you walk in; the rest hang on the dressing room rail with a price in fans on them - the same fans a good night pays out. None of them changes how you play, and that is the point: somewhere for a good night's takings to go that never turns into an advantage.
• By the numbers. 24 layers, 9 mixer cards, 14 house songs, 7 stages, 4 looks and 12 pieces of backline - every note, rest, icon and sound generated from code, and the whole game about a megabyte.